Understanding the New York Mayor's Sartorial Statement: What His Suit Reveals About Contemporary Masculinity and a Shifting Culture.
Growing up in the British capital during the 2000s, I was constantly surrounded by suits. You saw them on businessmen hurrying through the financial district. They were worn by dads in Hyde Park, playing with footballs in the golden light. Even school, a cheap grey suit was our required uniform. Traditionally, the suit has served as a costume of seriousness, signaling power and professionalism—traits I was told to aspire to to become a "adult". Yet, before lately, my generation appeared to wear them infrequently, and they had all but disappeared from my consciousness.
Subsequently came the newly elected New York City mayor, Zohran Mamdani. He was sworn in at a closed ceremony dressed in a subdued black overcoat, pristine white shirt, and a notable silk tie. Propelled by an innovative campaign, he captured the world's imagination like no other recent mayoral candidate. But whether he was celebrating in a hip-hop club or attending a film premiere, one thing remained mostly unchanged: he was frequently in a suit. Loosely tailored, modern with unstructured lines, yet conventional, his is a typically middle-class millennial suit—well, as typical as it can be for a generation that rarely bothers to wear one.
"This garment is in this strange position," notes style commentator Derek Guy. "It's been dying a gradual fade since the end of the second world war," with the significant drop arriving in the 1990s alongside "the advent of business casual."
"Today it is only worn in the strictest locations: weddings, funerals, to some extent, legal proceedings," Guy explains. "It's sort of like the kimono in Japan," in that it "essentially represents a tradition that has long retreated from everyday use." Numerous politicians "don this attire to say: 'I represent a politician, you can have faith in me. You should vote for me. I have authority.'" But while the suit has traditionally signaled this, today it performs authority in the hope of winning public trust. As Guy clarifies: "Because we are also living in a liberal democracy, politicians want to seem approachable, because they're trying to get your votes." In many ways, a suit is just a subtle form of performance, in that it enacts manliness, authority and even closeness to power.
Guy's words resonated deeply. On the infrequent times I need a suit—for a ceremony or formal occasion—I retrieve the one I bought from a Japanese department store a few years ago. When I first selected it, it made me feel refined and expensive, but its slim cut now feels passé. I imagine this sensation will be all too recognizable for numerous people in the diaspora whose parents originate in somewhere else, especially global south countries.
It's no surprise, the everyday suit has fallen out of fashion. Similar to a pair of jeans, a suit's silhouette goes through cycles; a specific cut can thus characterize an era—and feel quickly outdated. Take now: more relaxed suits, echoing Richard Gere's Armani in *American Gigolo*, might be in vogue, but given the price, it can feel like a significant investment for something likely to fall out of fashion within a few seasons. But the appeal, at least in some quarters, persists: recently, major retailers report tailoring sales rising more than 20% as customers "move away from the suit being everyday wear towards an appetite to invest in something exceptional."
The Politics of a Mid-Market Suit
Mamdani's preferred suit is from Suitsupply, a European label that retails in a moderate price bracket. "He is precisely a reflection of his upbringing," says Guy. "A relatively young person, he's not poor but not exceptionally wealthy." To that end, his mid-level suit will appeal to the group most inclined to support him: people in their 30s and 40s, college graduates earning professional incomes, often discontented by the expense of housing. It's exactly the kind of suit they might wear themselves. Not cheap but not extravagant, Mamdani's suits plausibly align with his proposed policies—such as a capping rents, building affordable homes, and free public buses.
"You could never imagine Donald Trump wearing Suitsupply; he's a Brioni person," observes Guy. "As an immensely wealthy and grew up in that New York real-estate world. A power suit fits seamlessly with that tycoon class, just as attainable brands fit naturally with Mamdani's constituency."
The legacy of suits in politics is long and storied: from a well-known leader's "shocking" tan suit to other world leaders and their notably impeccable, tailored sheen. As one British politician learned, the suit doesn't just dress the politician; it has the potential to characterize them.
The Act of Banality and Protective Armor
Perhaps the key is what one academic refers to the "enactment of banality", summoning the suit's historical role as a standard attire of political power. Mamdani's specific selection taps into a deliberate understatement, not too casual nor too flashy—"conforming to norms" in an unobtrusive suit—to help him appeal to as many voters as possible. However, experts think Mamdani would be cognizant of the suit's military and colonial legacy: "The suit isn't apolitical; historians have long noted that its modern roots lie in imperial administration." It is also seen as a form of protective armor: "It is argued that if you're from a minority background, you might not get taken as seriously in these white spaces." The suit becomes a way of signaling credibility, perhaps especially to those who might doubt it.
Such sartorial "code-switching" is not a new phenomenon. Indeed historical leaders once wore formal Western attire during their formative years. These days, certain world leaders have started exchanging their usual military wear for a black suit, albeit one lacking the tie.
"In every seam and stitch of Mamdani's image, the tension between insider and outsider is apparent."
The attire Mamdani selects is highly significant. "As a Muslim child of immigrants of Indian descent and a democratic socialist, he is under pressure to meet what many American voters look for as a sign of leadership," notes one expert, while at the same time needing to walk a tightrope by "not looking like an establishment figure selling out his non-mainstream roots and values."
But there is an acute awareness of the double standards applied to suit-wearers and what is read into it. "That may come in part from Mamdani being a younger leader, able to adopt different personas to fit the situation, but it may also be part of his multicultural background, where code-switching between languages, traditions and clothing styles is typical," it is said. "White males can remain unremarked," but when others "attempt to gain the power that suits represent," they must carefully navigate the expectations associated with them.
Throughout the presentation of Mamdani's public persona, the tension between somewhere and nowhere, insider and outsider, is visible. I know well the discomfort of trying to conform to something not built for me, be it an cultural expectation, the society I was born into, or even a suit. What Mamdani's sartorial choices make clear, however, is that in public life, appearance is never without meaning.